![]() Both the historical and the mythological are united in Tannhäuser's personality although he is a historical poet composer, little is known about him other than myths that surround him. Wagner brings these two together by constructing a plot involving the 14th century Minnesingers and the myth of Venus and her subterranean realm of Venusberg, 'the mountain of Venus'. The libretto of Tannhäuser combines the mythological element characteristic of German Romantic OPERA and the medieval setting typical of many French Grand Operas. ![]() Wagner wrote the prose draft of Tannhäuser between June and July 1842 and the libretto in April 1843. Other possible sources include the 15th century folk ballad Das Lied von dem Danheüser and Ludwig Bechstein's collection of Thuringian legends Der Sagenschatz und die Sagenkreise des Thüringerlandes. Hoffmann's story The Singer's Contest and Ludwig Tieck's 1799 story Faithful Eckhart and Tannhäuser. Wagner again drew on Heine for the plot of Tannhäuser: Heine's sardonic poem Elementargeister, telling of the lure of the grotto of Venus, was published in 1837 in Der Salon. Heinrich Heine had provided Wagner with the inspiration for Der fliegende Holländer. Composition history The original version
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